A project by PDBarton where he explores the places and people around part of the Prime Meridian line as it enters England and passes down part of the east of England.
So….’After Dark’ or to me EAT, DRINK and PLAY!
**The idea of this “After Dark” post, comes from member Steve Coleman.
Since most of the world commutes one or another, either to work, family, or holiday, I thought it would be an interesting take if some of us would care to share images of that endeavor.
The commuters’ dimension, wherever they are and wherever they are directed, is so close to Marc Augé’s non-places. The commuter, in my photographic vision, becomes a sort of ghostly island surrounded by a sea of indifference. He’s protected by an invisible and anonymous armor; he doesn’t care about the world all around him; she goes by the places and people she encounters during her daily travel. Sometimes the commuters appear intangible; other times it seems they could come straight out of an advertisement poster, like flesh and blood survivors. In this way, commuters in turn become a series of non-places.
So commuters, or commuting… Well personally I drive into work at 4.30am every morning so I hardly see anybody on my commute! But not to be deterred I actually got a bus one day, a strange but rewarding experience.
As ever with my pictures I tend to focus on the isolation of people, emotionally and mentally rather than physically. I don’t often find myself shooting people engaging with each other…I prefer the feeling of people engaged within their own minds for some reason. I think it’s a reflection of myself.
I did find that the bus was a great place to illustrate this however, we shared the same space, we sat next to each other with only inches separating us, but we never talked, we awkwardly avoided contact. We kept our thoughts private and our daydreams secrets. Just the way I like it!
A ticket to ride.
I have no ‘work’ to commute to. But, I regularly travel on public transport filled with commuters and fellow passengers.
There is a sort of vacuity evidenced in the faces of some as they travel. They are still and yet, paradoxically moving. There is a stasis in their bustling world.
I’ve been capturing images of ‘My Fellow Passengers’ for a while now. In my own city, my own country and whilst travelling overseas. We are one species. People are people wherever you are and whatever the surroundings.
People watching is a fascinating, endless occupation. All you need are your eyes, a camera and a ticket to ride.
These images are from an ongoing series, “Across the Aisle”. I’ve been working on this series on and off for quite a few years. Images of commuting, especially in New York, have a wonderful history. From Walker Evans, Stanley Kubrik, Bruce Davidson, to many others working contemporary.
For me, the subway becomes a private space once one enters. We shield ourselves from closeness with strangers, as we enter a private space within ourselves. I try to wait until that moment happens. I never ride the subway to just photograph. These images are taken as I commute to and from work, appointments, etc.. I never hide my intention. People look as if they notice, but many don’t see me as I am occupying that same internal space that they just entered.
*The idea of combining horror/noir with street, was from our member Matteo Ceschi.
America is all around me. America is following me through the streets of Milan and my travels: from Greece to Britain to Sweden. The eyes search for old TV series frames, brands and icons, looking for what now also belongs to me. I look at the photos, I hum David Bowie song and I feel that here I am elsewhere, in America.
For this new f/50 project Keith and I have investigated the elusive concept of “fluidity”. We started from Webster on-line dictionary definition and we have developed the “interpretation” through three shots each.
FLUIDITY: The quality of being fluid or capable of flowing; a liquid, äeriform, or gaseous; opposed to solidity. “It was this want of organization, this looseness and fluidity of the new movement, that made it penetrate through every class of society” J.R. Green
KEITH’S NOTES: Let’s images talk!
MATTEO’S NOTES: Fluidity is all about change and movement. Freezing this change with a camera is a hard challenge but it’s not impossible. Photography usually doesn’t “play” with movement so I’ve tried to recreate motion looking for contrast. In the first shot, sky-clouds (so fluid they look solid)-buildings-humans; in the second one, a light fog “running” over the water deleting shadows; in the last frame, the illusion of a man swimming in an ad I caught throught a futuristic invisible wall. In all three shots human presence — direct or indirect or even marginal — becomes an important element of the change, probably the most significant in contrast to the others.